The Times Are Not Changing
On January 22nd, Katie and I traveled up to the small town of Hudson, NY.
We had dinner at Ca Mea, an attractive Italian restaurant with a fantastic mussels and clams appetizer on the specials list that evening. Then we hustled over to the Time & Space Limited Theater. We wanted to get there early since this was our reason for making the trip. Also, it was around 4 degrees outside.
I had recently heard Ron Bennington interview Ken Bowser, the director of “There But For Fortune,” a documentary on the life of folk-singer Phil Ochs. I had no idea this movie was being made, but after hearing the interview, I knew I had to see it.
Phil is often compared to Bob Dylan. They were contemporaries in the Greenwich Village folk scene, and had interests in each others work, but there is a world of difference between them. The movie lays it out really well, but my view is that Phil lacked Bob’s subtlety and nuance, and Bob lacked Phil’s conscience. Unfortunately it seemed that Phil saw himself as Dylan’s inferior, rather than recognizing and accepting that they were doing different things. I love the contributions both have made to the world, but as someone interviewed in the movie said, “Anyone could like Bob Dylan.” You have to have a certain sensibility to be a fan of Phil Ochs. Ever since I discovered Ochs’ music, Dylan’s ascendancy as the voice of the 60′s/early 70′s folk world has seemed more of a media creation…as Utah would say, a journalistic convenience…a safe and easy choice, rather than a true reflection of the time. But that’s an opinion of someone who wasn’t there.
Back to the film…we showed up early, not knowing what the turn-out would be, considering the limited release that brought us 3 hours from home. By the start of the movie, there were only 2 empty seats in the cozy theater. The rest were filled by me and Katie,a couple a few years younger than us, and a whole bunch of old hippies. The film re-created the era in such a way that it felt current and intense, and provided a backdrop for explaining a man who has been dead for 35 years. The depiction of the turbulent times, including the murders of Martin Luther King, the Kennedys, Malcom X, and of Chilean folk-singer Victor Jara – following his country’s Sept. 11th, was an emotional wringer.
The film pulled no punches in its examination of Ochs. His family members attributed his suicide to the untreated bipolar disorder that found him in his early thirties. Aside from self-medicating with alcohol, Phil refused any kind of treatment (lithium in those days,) knowing that ridding himself of the awful depression, also meant losing the manic highs…losing his art…losing himself. Considering the arc of Phil’s personal life, I also found Ed Sanders‘ comment about regret particularly insightful (I’m not sure of his exact quote,) – “…mistakes are like harpoons and fish hooks lodged in an intelligent person’s soul…”
Coincidentally, Phil’s sister Sonny was in attendance for this showing. She told stories about Phil, and engaged in Q&A after the film. Following that, Reggie and Kim Harris, a folk-singing duo originally from Philly, performed a few of Phil’s songs – capping the event with a sing-along of “When I’m Gone.” The whole evening was an incredible experience. Hearing the stories of people who were part of the scene during such an interesting time in our history was fascinating for me.
In those days, months, years after our 9/11 when justice and love were suffering under the weight of fear, those of us looking for cover were able to find it in each other. That’s when I found Phil’s music. For the first time I heard, “I Ain’t Marching Anymore,” “Ringing of Revolution,” “When I’m Gone,” and “Love Me, I’m a Liberal,” and “Cops of the World,” and I couldn’t believe they had not been written that week! It was so apt, so fitting for the time, it just didn’t seem possible that it had been performed before I was born. Sadly it made clear the reality that we were following a familiar script.
And of course the scripts remain the same all over the world, as revolutions are unfolding in several countries at once. And their desperate leaders are trying to cling to power.
“In a building of gold, with riches untold,
Lived the families on which the country was founded.
And the merchants of style, with their red velvet smiles,
Were there, for they also were hounded.And the soft middle class crowded in to the last,
For the building was fully surrounded.
And the noise outside was the ringing of revolution.”
Here at home we have struggles between corporate power and workers’ rights in Wisconsin and other states. I am amazed and hopeful, as I see the capitol police in WI selectively refusing to enforce the governor’s orders. When law enforcement sees it has more in common with citizens than with lawmakers…using their brains rather than mindlessly following orders, there is hope.
“Is there anybody here who thinks that following orders takes away the blame”

Phil Ochs, for better or worse, is as relevant today as he ever was. In a society obsessed with right and left, Phil was focused on right and wrong. “There But For Fortune” offered a look into Phil and his world that was gut-wrenching, but also funny and thoughtful, and ultimately, meaningful.
“There’s no place in this world where I’ll belong when I’m gone
And I won’t know the right from the wrong when I’m gone
And you won’t find me singin’ on this song when I’m gone
So I guess I’ll have to do it while I’m here”










